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Apr. 21st, 2015 01:36 pm"Was there a reason the prelude to Wagner’s Tristan und Isolde featured throughout Melancholia?
After watching Kubrick’s films, I also tried to use a musical theme in my last two movies. I was meant to direct a Ring cycle at Bayreuth 15 years ago, and I worked there for two years. But the Wagner family were fighting. Someone who had worked with them in the past told me that the family would trick you by saying yes to everything first, then say no. So I confronted them, and they concluded it wouldn’t work out. Years ago, I said: “If I ever should do an opera, I’d like to do The Ring in Bayreuth.” Ah, it’s still so tempting."
http://www.theguardian.com/film/2015/apr/20/lars-von-trier-interview?CMP=fb_gu
ну как я угадал что Триер любитель оперной сценографии, впрочем это по кадру считывается.
After watching Kubrick’s films, I also tried to use a musical theme in my last two movies. I was meant to direct a Ring cycle at Bayreuth 15 years ago, and I worked there for two years. But the Wagner family were fighting. Someone who had worked with them in the past told me that the family would trick you by saying yes to everything first, then say no. So I confronted them, and they concluded it wouldn’t work out. Years ago, I said: “If I ever should do an opera, I’d like to do The Ring in Bayreuth.” Ah, it’s still so tempting."
http://www.theguardian.com/film/2015/apr/20/lars-von-trier-interview?CMP=fb_gu
ну как я угадал что Триер любитель оперной сценографии, впрочем это по кадру считывается.
