aleatorius (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
aleatorius) wrote2009-09-28 11:06 am
aleatorius) wrote2009-09-28 11:06 am
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как то даже не удивлен, что Роберт Фрипп последователь учения Гурджиева,
ну если верить википедии, как аглицкой так и русской
ну если верить википедии, как аглицкой так и русской
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Но интересно читать обоих,без фанатизма,безусловно.
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Успенский - Беннет - Роберт Фрипп - и какое нибудь фрипповское соло на альбоме Боуи.
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http://www.elephant-talk.com/wiki/Interview_with_Robert_Fripp_in_Best
What’s more, besides my musical activity, I need money to support certain projects I am working on. These projects include: 1) establishing a farm in England; 2) moral and financial support to Claymont Court, a United States school affiliated with the International Academy for Continuous Education, where I have spent 10 months of my life; 3) the publication and marketing of the recorded speeches of J.G. Bennet, founder of these two schools.
JGB: What kind of education did you receive in these two schools?
RF: In England, the original experience I was involved with ceased to exist after five years. The American school offers similar courses as the English one.
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In the October 1974 Melody Maker interview where he explained his reasons for disbanding King Crimson, Fripp said that successful rock bands often "originally start out to service a need but you now have a situation where, being creative, they have to create needs in order that they may continue to exist. In other words, they've become vampiric."
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сам он описывает ситуацию несколько иную, но в общем похожую
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Timbre. From the beginning, Fripp has shown a creative and unpredictable approach to orchestration and texture - witness the variety of sheer sounds in the albums all the way from In the Court of the Crimson King to Get Crafty. Along with this studied concern for timbral interest goes a formidable production control, allied with a concerted effort to make even studio-produced recordings sound as believably live as possible - enormous dynamic range, and, all things considered, an absolute minimum of electronic "tricks" (excessive reverb, compression, overdubbing, sound effects, artificially spread-out stereo mixes, and so on.). Unlike his friend Brian Eno, Fripp emphatically does not use the recording studio as a compositional tool: he uses it in an effort to capture the feeling amongst real musicians playing in real time.
я тут последнее время кручу in your mind видео Ферри, там два кинг кримсоновских чувака задействованы - так там явно организация сцены интересная, у каждого свое пространство, камера ездит по кругу, все очень обьемно:
http://www.youtube.com/watch?v=vN5hldPrAFo
видно тут подход некий общий для этих групп
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но типа расти некуда
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http://www.youtube.com/watch?v=mQkFxfyHgMk&feature=fvst
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Геласимов! Геласимов! Геласимов! Геласимов!
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рллллллллллрлллллллллллллрлллллллллл
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геласимов иглает на кравесине!