а вт высказывание Фриппа неплохое из ваших линков, как говорится, well put:
In the October 1974 Melody Maker interview where he explained his reasons for disbanding King Crimson, Fripp said that successful rock bands often "originally start out to service a need but you now have a situation where, being creative, they have to create needs in order that they may continue to exist. In other words, they've become vampiric."
ну вот у меня было ощущение, что он распускал группу, когда она тянула его на новый круг, а он хотел выйти на другую траекторию (сойти после хорошо пройденного круга) сам он описывает ситуацию несколько иную, но в общем похожую
вот тоже интересная цитата (оч интересные ссылки, спасибо!)
Timbre. From the beginning, Fripp has shown a creative and unpredictable approach to orchestration and texture - witness the variety of sheer sounds in the albums all the way from In the Court of the Crimson King to Get Crafty. Along with this studied concern for timbral interest goes a formidable production control, allied with a concerted effort to make even studio-produced recordings sound as believably live as possible - enormous dynamic range, and, all things considered, an absolute minimum of electronic "tricks" (excessive reverb, compression, overdubbing, sound effects, artificially spread-out stereo mixes, and so on.). Unlike his friend Brian Eno, Fripp emphatically does not use the recording studio as a compositional tool: he uses it in an effort to capture the feeling amongst real musicians playing in real time.
я тут последнее время кручу in your mind видео Ферри, там два кинг кримсоновских чувака задействованы - так там явно организация сцены интересная, у каждого свое пространство, камера ездит по кругу, все очень обьемно:
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In the October 1974 Melody Maker interview where he explained his reasons for disbanding King Crimson, Fripp said that successful rock bands often "originally start out to service a need but you now have a situation where, being creative, they have to create needs in order that they may continue to exist. In other words, they've become vampiric."
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сам он описывает ситуацию несколько иную, но в общем похожую
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Timbre. From the beginning, Fripp has shown a creative and unpredictable approach to orchestration and texture - witness the variety of sheer sounds in the albums all the way from In the Court of the Crimson King to Get Crafty. Along with this studied concern for timbral interest goes a formidable production control, allied with a concerted effort to make even studio-produced recordings sound as believably live as possible - enormous dynamic range, and, all things considered, an absolute minimum of electronic "tricks" (excessive reverb, compression, overdubbing, sound effects, artificially spread-out stereo mixes, and so on.). Unlike his friend Brian Eno, Fripp emphatically does not use the recording studio as a compositional tool: he uses it in an effort to capture the feeling amongst real musicians playing in real time.
я тут последнее время кручу in your mind видео Ферри, там два кинг кримсоновских чувака задействованы - так там явно организация сцены интересная, у каждого свое пространство, камера ездит по кругу, все очень обьемно:
http://www.youtube.com/watch?v=vN5hldPrAFo
видно тут подход некий общий для этих групп
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но типа расти некуда
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http://www.youtube.com/watch?v=mQkFxfyHgMk&feature=fvst